Underneath the leaf, always here
Today I found something unexpected while I was gardening. While flailing a hand scythe into clumps of grass and clearing out dead leaves in a neglected box garden, I discovered a baby bunny the size of an avocado sheltering under a head of lettuce. He was very still. His eyes were open. He did not move and didn’t appear to tremble. I was moved with cuteness and excitement. I went inside and got my husband; together, we quietly observed him, made supressed squealy noises, then went about our business doing other things. I moved to clear out the other side of the garden box, and there I found this bunny’s baby brother, even smaller (the size of an apple) nestled with his nose in the chives. As I stood there, I recognized a few feet away, a little warren that had been crafted with care out of our thyme bush: a circular tunnel, dusted on the edges with soft bunny fur. Just like that we had a nursery in the middle of our front yard. The whole experience lent a tenderness and a kind of sacredness to what would have otherwise been a glorious afternoon in the sun. It turned into summer just about three days ago.
Later this evening I went out to an art opening with my friend Kirsten. When she picked me up, I ceremoniously shared with her the bunny situation. When she got a peak at them, she also got verklempt with delight and excitement and tenderness. We were very careful not to remove a large dry leaf that I had placed over the first one for shade. There was a hole in the leaf through which we could see the bunny’s eye, still unmoving but very much alive. I went to the art opening and enjoyed it. I spent some time catching up with Kirsten, looking at the art, supporting our friend who had work in the show. It turned into a very social evening. I met a several really nice people. She dropped me off at home at about 8:45 pm, it was still light out here in Michigan. I checked on the bunnies, amazingly they were still right where we left them.
That these little bunnies had not moved in the time where I was networking, looking at art, handing out business cards, trading thoughts and ideas with Kirsten - in all of this human doing, that creature stayed still. I imagine in the bunny world, the mom must have said You stay, you stay right put, don’t make a sound, don’t make a rustle. And I’ll come feed you tonight after dark. It looked almost as if the bunnies were hibernating or in stand-by mode. Their eyes were open, there was an alertness, but there was no trembling, and no darting about going on.
When I came home, there they were. Presence itself. Just there. Like the face or the form of eternity in which all comings and goings are held. All over this neighborhood and town, bunnies are nestled, still, hidden - animals alert and unmoving, a wider presence than the mind can hold.
Greetings from Snowy Michigan!
The first thing on my mind is to let you know that I’m missing you. I have been in Ann Arbor Michigan, with a pit stop in Ypsilanti, and increasing forays into Detroit, for just over six months. I notice that the drivers are friendlier here, but the highway trucks and majority rust belters drive much more aggressively on the highways. Ann Arbor is a friendly place, welcoming and approachable. You can’t swing a cat without hitting some kind of festival or community event here. My favorites so far have been weekly motorcycle and car enthusiast meet ups in Ypsilanti, and families camping on the green of the local nature center for a night in August. The all-Tuba Christmas concert was also great.
But what isn’t here, is the easy opportunity to see you, at my studio, a Farmer’s Market, my sister’s house, for a cup of tea or a purposeful gathering. I loved those gatherings and chance encounters, part of my weekly, monthly or daily routines. Suddenly, without meaning to, you are just not there! not OK! So now that I’ve got my sea legs under me in a new marriage, a new town, new home, new studio, and fledgling communities, I bid you Happy Chinese New Year and invite myself back into your life.
It’s been very important for me to shake loose of Boston-brain, having been there my whole life, to experience easier race-relations, a DIY culture that involves reupholstering your vintage BMW or welding the best part of two cars into one super unique one.
I also find a familiar university culture with academic neurosis floating about here in Ann Arbor, similar to Cambridge.
I have been a little flummoxed about my blog. While this has always been true, it’s even more so now. Who reads it? Who am I writing for? Who cares? What am I writing about? Well, I still have no idea. However, I know more than ever that being in your life and you being in mine in whatever way is possible and sustainable is important.
One way I’ve kept in touch is through Instagram. It’s easier to post a picture than words. I follow artists and art institutions mostly, because it allows me to feel connected to everyone’s studio process and successes, and to feel like I’m at that opening or stopping in to ask a weird technical question to my studio neighbors. I also love sharing artist’s work and venues and studios here, pictures of my studio being built and small moments as this expanding neural/geographic orientation establishes itself.
It’s very cool that from here I can be in Canada in an hour, Ohio in an hour, Indiana in a few more, Illinois in about 3. Did you know that if you drive West on i90, you’ll reach me in just about 12 hours? It’s basically a straight shot.
When I do talk with people in Boston, I love to play the weather game. It’s often the same weather/temp in Ann Arbor two or so days prior to whatever’s happens in Boston. The only difference I’ve found is the snow in Boston seems heavier and slushier, and the weather altogether more dramatic: windy and petulant.
So, how can we stay in better touch? Here are some ideas:
1. I’ll keep you posted through this newsletter/blog situation.
2. I love the technology Zoom, much like skype or google hangout, but it makes it easier to share screens and to have as many people as you want in one place. I used to have focus group type gatherings in person…perhaps we can do it online?
[update: Note that this is a pre-pandemic post!!I am surely ahead of my time...]
3. Many of you I met through coaching. I’m still coaching! I work on the phone, so the experience is the same as it’s ever been. It’s an exceptional kind of sacred creative space for stepping into the unknown with intention, clarity, support and confidence. To see what it’s like, I offer a 30 minute session so you can try before you buy. Just lemme know.
4. Artists! I am excited for more and more kinds of cross cultural exchange. Come explore the amazing and otherworldly Detroit art scene! It only costs about $140 for a roundtrip airfare y’know…It’s a whole new world out here.
4. My favorite way of connecting is not through technology, but through that airwavy, no-separation space of bringing you to mind and sending you love (new post on this!). I’m doing so right now. If you think of me, that’s what I’m doing, one way or another.
Also check out the rest of the Goodbonfire blog. I’ve got a recent What’s Cookin’ newflash section for art stuff, and a few other posts you might enjoy.
Yesterday, I was looking at a giant amaryllis bulb, one that doesn’t require any water or soil as it grows. It’s very prehistoric looking. How, we wondered, can it grow like that? We decided that they are a little like a slow bomb, containing all but the sunlight and warmth needed to explode forth in imperceptible increments, until quietly, POW, a graceful explosion of softly unfurling petals, stamen: perfect. Itself.
Consider the many amazing threads to this phenomenon: Nature as unstoppable force, everything always changing, and your very own life’s trajectory, similarly carrying itself out, according to the seed codes etched in each of billions of cells, that somehow get nourished and replaced multiple times while you move about the day, over and over again until one day, you no longer do.
I am looking at that bulb now, and it’s at least an inch taller that yesterday.Yet it’s the same bulb, in the same container, on the same table, in the same room isn’t it? Also, it’s Mine, right? My bulb, my container, my room. The mind makes up these rules, partitions territories, ‘things’ everything. The mind tells me it’s all Mine (my cells!) all the same as yesterday, and that yesterday is a thing, a real thing too. That flower bomb however, this slomo life exploding, is part of a going off that’s been underway since the big bang (or before?). That bulb is just a tiny nano moment of a spark of that event, as are you, all of this, even the strands of Donald Trumps combover are a part of this unstoppable sparking then fizzling.
What does that change, to see this as just an extension of one explosion? Every word spoken, hand squeezed, pie baked from scratch, expletive uttered, held gaze with a squirrel, burst of giggle? What if all of these are simply bursts of firework light, one and then another, an another, relentless, unstoppable, glorious, ablaze?
At this moment thousands of processes in plant bulbs in Trader Joe’s across the land, mysteries deep underground and in thermal vents on the ocean floor, in our bodies, corroding car bodies, weather cycles high up, the inner core of trees, plastics, stars burning out, moisture seeping into basements…: All are a part of this relentless event unfolding.
And yet, my story, and yours, of being an agent, a doer, in comparison to other agents and doers, is so convincing. It says, this story, that you are separate, a symbol or icon, as if surrounded by a white screen or page in a story book, or an object up for auction on Ebay, to be chosen or chosen over, forgotten or thrown away.
There is no such thing as a separate you. The trees are your very lungs. The tone of another’s voice can change the trajectory of your blazing, and that bulb on the table is a part of this burning, as is the table, the room, holiday food digesting, and the sensations in your hands. You are not, my love, an object, but part of a great blazing. Blaze on!
Sometimes I will be full of shit. And that's why you're here. I can't know myself without you, and similarly, without the ones in your life, you are the tree that falls in the forest - Did you make a sound, or was that just the sound that doritos make in your own head as you eat them?
You will never know unless there's someone else there with you.
In other words: Community.
Leaving Boston last year made me pull up the carpet tacks on so many lovely groups of people that week in and week out, I'd see and see again. It didn't dawn on me til I was all the way over in Michigan that I can't have those people in my life, you, like I did, by just braving Boston traffic for 45 minutes in both directions, anymore. Those communities are going on in other forms, as I show up to forge new ones.
My first attempt at community in Michigan was to go to a knitting group on a Monday night at the local cafe/brewery in Ypslianti. All of my needles were in storage, and I only had two small cards of thin repair wool on hand. I wanted to make a cozy for my reusable coffee cup, but more importantly, I just needed to get the F out of the house. I shrugged, and decided two ballpoint pens with scotch tape on the tips would surely work fine for needles, if only I could remember how to cast on.
I arrived, sat down, and thought, yes, I can do this! I know how to knit, I'm just a hen among hens here. And then I pulled out my ballpoint pens from Eastern Bank, with tape on the ends, my repair wool, and set about in a group of complete strangers, trying to remember how to cast on. It was at that moment that I realized: Dorothy Honey? you're not in Kansas, Massachusetts any more. You are as good as completely insane to these women. I do have a tea cozy to show for that brave effort, as well as the tender experience of accepting help, the loan of some actual needles, and even a couple of phone numbers. A young lass with a hip uneven haircut even complimented me on the cup cozy a week later.
Community for us humans is essential, like vitamin B or the sun. We're like grass blades. We don't do very well on our own, regardless of how independent we might think we are.
I want to create community with you, for you, that uses the incredible free and easy technology of the airwaves to be all over the world, in each other's livingrooms, and also still in our pajamas, together. I'm figuring out the details now, but I want to invite you to join me in your livingroom, in recorded form, all to yourself, or live with a group of gorgeous grass blades like you and me, with their own magnificence to spark yours and vice versa. Please check keep your eyes out for a new Creative Pioneering Institute with Hannah Burr coming soon! and encounter opportunities to bond with, support and learn from other genius grass blades figuring out this earth plane and how to cast on, eat doritos, and thrive in embodied expression and creation together.
I’ve been in a temporary home for about a month here in Michigan. It’s a good serviceable place: it’s quiet and has a workspace for me and a nice kitchen. I’ve found that without a working art studio, which is waiting to be unpacked in a more permanent spot later in the fall, I’m not able to fuss about or work much with my hands, and I have meanwhile been working on two laptop-based, excel-based projects. The laptop screen is also where I see my Boston people during video conference visits, do my research, and connect with other virtual communities.
In my ‘productivity’ I have inadvertently taken myself out of active circulation. At the end of the last couple of days I’ve felt gross and stuck, my leg pinned underneath my body in a way that’s downright painful when I unfold it. It’s like I’m a little coagulating mass beginning to damn up an artery.
We all know that circulation is beneficial to the well being and health of any kind of system: a room, a body, a city. When I get fooled into the idea that my worth and value is in doing, and that the doing is somehow involved in being locked in a gaze with the glowing square orb of a computer or smartphone screen for more than half of my time, I am at that time starting to sink in the mire of stagnation. Stagance or stuckness happens in a variety of dimensions at the same time, and shows up in air flow, blood flow, traffic patterns, water flow, body movement, mental loops. When I'm stuck on the laptop, the legs tucked cozily under me may be getting insufficient blood flow, my breathing dulls, and the muscles in my back get weird and stiff. The space also gets a mucky vibe- it begins to get stuffy, cluttered and dead feeling.
Stangance can appear as clutter or sediment building in the eddy of a stream, carbon monoxide rising from miles of breezeless traffic, constipation, isolation, boredom, or repeating one path to and from the fridge, or fingernail to mouth, over and over again. Stagnance starts out sometimes as a needed break, and becomes the trance of one TV show after another, or one more excel spreadsheet to finalize.
My commitment to you, as a part of the larger earth body that we belong to, is to put myself back into circulation: walks, even in circles round the same four blocks, will be one way I circulate. Drives, turning down unfamiliar roads, biking around, bringing my lunch to a park bench, and getting up from this machine hourly, for a break for the eyes, the hands, wrists and body. Also I can circulate by stopping and looking out the window, checking in with eyes closed to sound, smell, taste, touch, and breath. Getting up to pick up some socks, tidying the eddies of objects that accumulate on surfaces, jumping into water, a lake, the tub, a shower. Wiping down the counters - picking something up, and placing it intentionally down somewhere else. All of these brief engagements arrive with a basic energy and aliveness.They remind me that this is what I actually am: basic energy and aliveness. The rest is just gathering on my surfaces.
Walking also leads to connections and discoveries. On my day 1 of circulation, I ran into a woman on the street I’d been playing phone tag with, and lo I had my calendar and we finally made a tea date. All because I set foot outside.
To circulate is to light up the thru ways of the brain, to clear them out and to trust and value yourself as an essential part of the wider world, this alive whole, without fanfare or specialness to gum up the gears.
The more you circulate and welcome circulation, the more the whole parade can simply flow.
Stagnation in the world:
unreturned library books, unpaid bills, piles of clothing or dishes, papers, mail, trash, appliances that don’t get used taking up counter space, unreturned phone calls and emails, the couch nest or the bed nest, sheets that need washing, a body or hair that’s past being clean. Eating the same foods over and over, sitting in one place, always spending time with one or two people, or alone.
Circulation in the world:
Standing up. Stretching, raising the gaze, moving the muscles of the face, shakin’ that behind, music, sound, walking, swinging the arms, slowly drinking a glass of water, taking a ride, walk or drive, showing up for someone else, attending something public, making something for no reason, getting out of bed, pulling up the shade, opening the windows and door.
HEAVEN AND EARTH
In a museum, everyone loves the white, spareness and purity. Perfect angles, controlled temperatures. A frame is like a small travelling museum - a tiny, somewhat controlled environment for the preservation and display of a work of art. The idea of something 'lasting forever' or accruing value is all quite silly when you consider the decay happening in and on every surface on the planet - the constant swappage of molecules.
I do however, appreciate the great preoccupation with perfection, presentation and essentially control.
Many years ago, I saw how art does this for us. I went to see a Ballanchine Ballet called Jewels, during a painful and disorienting break up of a relationship and a home.
Every act of the ballet was in reverance to the emerald, the ruby, the sapphire and the diamond. Every high pointed toe, kick and arc of a hand was absolute precision. The backdrop was a solid, shimmering, gorgeous color, reflected in the costumes, the sparkle, and the choreography, one gem/color for each act.
There we were within a dissolving partnership, looking up at the stage. I was sitting next to my roommate, love and friend, and the sad, tired mess of our valiant attempts to do better, talk it through, and make it work. Crying silently, mucus running out of my nose and a hand damp from wiping away this issuance. Up on stage was an impossible perfection, a million miles from where I sat, incomprehensible, orchestrated, perfect. It was heaven. I was earth. A primoridal ooze.
Sometimes, this is what art is for.
A few weeks ago I was driving home at night through Brookline. In one of the town's many rotaries was a simple mound with tons of daffodils. I think it was raining and I noticed them on my left.
I'll cut right to it: those flowers are one brain: one consciousness in full force - complete. For some reason I saw it this was for the first time. Not a 'look at those pretty daffodils! Spring is...' kind of thought. It was something revealed.
Our lives are lived at times with the leaden feeling of no-one-gives-a-shit/sees me/understands. As a woman living alone turning 40 in a few months, the daffodil revelation is important. The cars circling the rotary, people on a train platform, a group of people listening to a story or a concert, is the same. We get so caught in the mire of being individuals. The tangle of speculation, obligation, association, doubt and doom - Doing and aiming for a high perch on the hill, fearing mediocrity or failure.
When I can feel the ground underneath. the weather as it mixes with the tiny hairs on my arm, sounds and the situation I find myself in at any given moment, just as it is and just as I am, I begin to remember my home is just about noticing and presence.
Those flowers don't have long. They get a few weeks if they're lucky to kappow in yellow. The green shoots, threading roots filtering the dirt, meet as a single mind under there. That depth and connection is also available to me and you, as is the profound beauty of our vulnerability and delicate bloom.
And a few more things about Daffodils.
They won't all bloom at once, and not to the same extent. Some get pissed on, others blown off their stems and trampled, and others never quite bloom at all. They all get papery, spring passes. One or two, to a given eye - the dark eye of a crow or mine glancing from a car, catch an incredible moment of light and are seen. Some are cut. Is this better? It's not really up to the flower and it's incidental in the short scheme of things.
Grass, stands of trees, coils of thornvine and little trees in home depot parking lots, they all too share a brain I believe. When I send love to my friend across the world or stick around when I feel like leaving myself or another who is not at their best I too tap into that collective system.
You're in it. You may be cowering under the blanket, rooted to the nest of your bed, or couch. Your hair might need washing. Perhaps you're badly in need of a shower. People, people that love you and believe in you might feel like a fiction, a distant memory or a fluke. Lying through their teeth at the very least. Or maybe everything's pissing you off. The alarm clock, uncooperative coat button or bank clerk, the tepid tea.
So this is the little fire I'm building: A few sticks, maybe a little mossy, some crumpled pages of my own journal, and a lighter that's been in my glove compartment for four years at least. My fingers are brittle and cold. I'm blowing on this kindled thing, I believe in it. It's going to catch. When the wind finally dies down for a moment, it does! And then, in some minutes, is the plume of smoke that rises. It rises from this spot, on the side of an unfriendly road where the views aren't inspired. This is the spot where I stopped, would not go another mile. It will have to do.
The plume is going up, visible from over the ridge in a thin, messy, scraggly line rising straight up. This plume is just for you.
Would you like to know why I'm sending you such a plume? Because it's all working and I want you to know that. You are in the throes of transformation my friend and yes indeed, it is uncomfortable. It's not pretty either. And how do I know this with such certainty? Because so am I.
The experience of fear, doubt, insecurity, tossed in with some shame, and an ugliness we fear might be chronic, these are our old modes dislodging.
Sometimes what's foreign and new feels wrong and unsafe. Also, like it's our fault. In a way, it is our fault. We stopped, or if stopped, we chose to get up and take a first step toward that thing we wanted, toward the inkling of who it is we are crossing our fingers we can turn out to be. To really be!
People driving by, they're looking as they go past. Suddenly - it's come to this - what they think of me and my fire by the side of the road in the middle of an empty lot is truly and completely none of my business! It solves nothing at all. I have a fire to tend to. The fire is now brightly burning. My signal to you is now stronger. Look out your window, you'll see it. There's no mistaking it.
You are in it, you are exactly at the center of your life. You are alive and what you are stepping toward is stepping toward you. This is the tiding born by the rising smoke.
The fire that's now impressively burning? It's now strong enough that something else is also beginning. There is a stirring, very deep. A memory waking up, and recognition.
Your fire and my fire, they are the same. They are fanned and brightening with every breath in. My fire is strong in the company of yours. These fires, this fire, is the part of us that says Yes. The part that shows up, finds it funny - a little wierd - and shows up anyway. It's the same Yes everywhere. Courageous fire tenders tending.
You are squarely in the center of your life. You are welcome on this planet. Together, we illuminate the world.
MORE ON DAFFS
A few more things about Daffodils.
[this post is second installment of the post One Brain]
They won't all bloom at once, and not to the same extent. Some get trampled, others blown off their stems, and others never quite bloom at all. They all get papery as they die, spring passes. One or two, to a given eye - a crow's or mine glancing from a car, catch an incredible moment of light and are seen. Some are cut and put in a vase. Is this better? It's not really up to the flower and it's incidental in the short scheme of things.
Grasses, manicured hedges, coils of thornvine and those spindly trees in big box store parking lots, they all too share a brain, I believe. When I send love to my friend across the world or stick around when I feel like running away from myself or another who is not at their best I'm tapping in then too. We are living out essentially one life in billions of minds refracted in infinite variation. You and I are just two of these, gathered up in recognition when I see myself in you and you see yourself in me.
The following is a practice for when you are feeling like a lonely satellite:
Sit quietly. Breathe. After a little while, bring in the image of someone that you care for (not the guy who isn't calling you back but an old friend say, or a favorite aunt). Imagine them having one of those moments of peaceful connection, the ones that just come upon one on the sly. Imagine them smiling and at ease. Even if they just had an unsuccessful brain surgery, imagine them floating on water, giggling, accepting, joyful. Then bring another person to mind in the same way. Keep going. Try some people you feel neutral toward, someone you can't deal with at all. See what shifts within you.
THIS IS HOME
May 27 - June 26
Gallery B in Castine, ME
A four woman exhibition opening Feb 3 2023 at the Ann Arbor Art Center.
Curated by Thea Eck.
Janice Charach Gallery
West Bloomfield MI
Jan 15-Mar 1 2023
Works of pure abstraction by 18 artists including five new puffies!
END PAPERS COURSE
Make your own hand sewn book from the papers left by a loved one.
FREE SESSION WITH HANNAH!
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Hannah Burr is a contemporary artist and author. Originally from Boston, she lives in Ann Arbor MI.