GOOD BONFIRE: Writing on creativity and contemplative practice by artist Hannah Burr

TIME IS COLOR IN 2020

10/23/2019

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GET THE CALENDAR


​About two weeks ago, the calendars arrived! This is the third year I've build a calendar from my 12 favorite works on paper, and each year I improve upon the design of the last. What's new in this calendar:


-It's bigger! It's 14" tall, and 7" wide. 
-The initials for the days of the week are bigger so you can really at-a-glance this thing from across the room
-I've included international holidays and Columbus Day is Indigenous People's Day, and the solstices
-The week starts on Sunday! 

And as before it is
-Signed
-Editioned by hand
-Hand tied with embroidery thread 
-Wrapped in a cellophane sleeve
-Printed on 100# mat coated paper stock
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This year there are only 50 in existence! We've already sold through about a third, so please claim yours before they're gone!

These calendars are a labor of love, and this is my favorite one yet. It is inspired by japanese vertical stationary design, and a desire to share my artwork without having to deal with the middle man of galleries, or require the expense of owning the originals. 

You get 12 beautiful prints (normally $10 each when I sell them at fairs), for $39. It's like having your own private exhibition and color therapy and inspiration all while staying on top of your schedule. Enjoy!
​
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See a flip through of the calendar here.
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JUST HERE

10/23/2019

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A little over a month ago, after 6 years of conceptualizing, researching, starting, stopping, presenting, sharing, reworking, building, editing, building, editing, refining, freaking out and head scratching, I finally got to meet the Elements book on its own terms. As my mother used to say as I was heading off to college: the biscuits are out of the oven! In other words, it's out of my hands now! 
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The Chromium element sketch, one of over 100 of these in one of two primary sections of the book.
So now, after a complicated and exhilarating month, I have handed out and distributed all of the reserved copies, shared the book at a talk in Maine, a book pick up party in Boston, one in Ann Arbor, an art book fair in North Hampton MA and another in Detroit MI, I'm stepping back to marvel and reflect. The feedback, I believe, made the book more approachable, playful and easy to delve in and out of with impunity. My favorite part happens now, as I learn what this project means for others, how it lands for you, and what it wants to be in the world. 

Here are some reactions I've gotten to Elements so far:

This is a book for poets married to scientists and engineers married to artists.
This is a book for the parents of scientists.
This is a book for families wanting a playful and awe inspiring entry point to science and to the world, objects, inner and outerspace. It's a wonderful learning tool for the whole family. 
This is a book that can create access to a formerly expert, specialized subject, for more visual thinkers or people steeped in other subjects for most of their lives.
This book can be used as a meditation tool, a page a day, a random flip open, to shift perspective or go deep.
This book is for synesthetes and those loving a lateral view, a different cross section of our world. 

It's been surprising and delightful to learn all of this, as people connect with it at my table at an art book fair, or emailed me after receiving it and sitting down with it for the first time. Hearing my retired uncle admit that they didn't know titanium was an element until this book. To watch my Waldorf teacher friend get super excited about it for a teaching block, my cousin Katie, an episcopal minister and teacher, send me a photo of it on her teachers desk as a dynamic entry point to mysticism. My 13 year old nephew start in from the first page, and get really into the paper legend and visual patterns hidden in the book. My favorite was a woman at the Northampton Art Book Fair, a biology major volunteering who happened to be sitting next to me. She asked to take a peek at my book, then clutched it to her chest, held it up over her head and shouted, I LOVE THIS BOOK! I need it! It's how I learn! And then too, discovering across from me at the Detroit Art Book Fair that Flower Press had made a bumper sticker that read: MORE TEXTBOOKS BY WOMEN. And I thought YES! That's also what this is! 

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Me at the detroit art book fair with a bumper sticker by Nicolle Lavelle and shared through Flower Press.

So far I've broken down 25 boxes, as I send and hand out the books. That's 575 pounds of Elements book out in the world!

Upcoming are two more events to date: On November 10 in Ann Arbor, the book will be shared and launched along with 8 other authors publishing through 5th Avenue Press. I'll be giving a very brief presentation of the book.* And on November 9 and 10 in Boston, I'll be at the Boston Art Book Fair to share this and the brand new calendar, as well as the concept of WE AM, a collective in development. 

*My presentation will be a recorded talk, and Guy will be there to share and sell the books, all of which will be signed copies. ​
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Three kickstarter backers picking up their books in Jamaica Plain: Kristine Cortese, Judy Margo and Sam Warren. Thanks guys!!
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get the book
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    Hannah Burr is a contemporary artist and author. Originally from Boston, she lives in Ann Arbor MI.

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