6 Insights into Falling Back in love with your work, creative practice and life.
Every so often, I hear from an artist friend or in the pages of my studio journal, as sense that our work as artists is boring or repetitive, or not all that interesting. I’ve heard this from artist’s whose work delights and inspires me and many others. I’ve also seen and felt how these thoughts can feel paralyzing.
We may look at one body of work and think: I love this, but it was too easy to make, too much fun, too simple, doesn’t have consequence, doesn’t address an injustice, isn’t clever….
or similar stories.
It’s a little like how you might feel about your hair: It’s frizzy. It’s flat and lifeless! It’s oily as soon as I wash it! I don’t have any! It’s heavy, thick and weird! It’s graying, it’s thinning, it’s such a blah color.
Whatever you do with it, your hair is your hair. Even if you’re bald, it is what it is. It’s what you have. Art and Hair: not always in our control.
When a friend of mine expressed her relief at finally deciding to let her hair be: go grey, look like it does, it was uplifting and liberating to me too.
As for art, the fact is, I can’t make someone else’s work, and if I try, it’s not going to go well. I can learn from them, try out a technique, but if I’m being honest in the work, genuine and deeply engaging the work, it’s going to be singular. And what it is, is independent of me and whatever I think about it.
From this meandering thought trail, I pull a few insights:
1) I am not my artwork. I am not what people think of my work. I am powerless to change or even truly know what others think of it. Some people will like it, some people won’t, it is what it is, on any level of notoriety or obscurity.
2) I am the steward of my work, it’s foster parent, and it’s my job to honor, care for it, and see it. To be curious about it and learn from it, to show up for it as best I can, which’ll be human, imperfect and OK.
3. Genuineness and your relationship to work comes through, so explore, discover, and pay attention to what you enjoy doing, what you love to do, OR, what you feel you need to do to see something through, or to break through to something else which is sometimes the case.
4. It’s not always fun or pleasant, nor does the work always come together - but the messes themselves have great things to show and to tell you.
5. Want what you have, and practice this as a discipline to enjoy your life and work and creative practice more. Wanting what you have is a discipline that helps you feel lighter, clearer and more in love with what’s actually here in your life. Do this by becoming curious and playing with this line of inquiry:
What’s happening here?
I wonder where this’ll go?
Hmmm. Now this is happening!
What do I appreciate and enjoy in my life?
(Nothing is the answer that will make you feel the worst so dig a little deeper and come up with something)
6. When you see something amazing in anothers artwork, life or career, see it as something your heart is waking up to in your own life, something being remembered about who you are and your inherent worth and abundance, and say YES, THAT. That’s amazing. I choose THAT! from the catalogue of life experience. I am open to experiencing that in my own life.
Prior to this practice, it might feel somewhat like an impoverished, smouldering jealousy, comparison or rejection of that other. For an easier experience, see it as a mirror. This plane we live on is dynamic and collaborative. Your part is to know what sparks joy in your life, art and in others.
And further, even if it’s scary, practice the expression of appreciation and gratitude to others. You may find as you do your heart expanding, relating, connecting and serving, instead of - as was my case for much of my twenties, contracting, retreating, judging, comparing, hiding and becoming brittle in the comfort of familiar and inaccurate stories.
Hannah Burr is a contemporary artist and author. Originally from Boston, she lives in Ann Arbor MI.