BEFORE SATURDAY

Two things!!
​1. Reserve by Saturday the 'Especially Now' 2022 Calendar!

If you want the 2022 wall calendar 'Especially Now' with 12 never before reproduced works from my studio, you have until Saturday evening to reserve your copies, October 16. I would show you pics of it, but it hasn't been printed yet! This Saturday! After that, the window of opportunity narrows considerably because I put in the print order and will only have one or two copies left available at a higher price. To ensure your reservation go to the shop

hannahburr.bigcartel.com 

and reserve by making a purchase of the new calendar.  They will arrive to you by Dec 1 and you can arrange for them to be sent as gifts as well. Write me a note here or via the shop if you have questions!
There is a discount code for you also!! It is CALFAN2022 and only will work until end of Saturday at checkout at the aforementioned shop  (link above).
There's more context and information on the calendar in this earlier post.

Let me know if you have any questions  - comment, email or reply!

2. Join me on Friday Oct 15 in Detroit (opening 5-8) , or Wednesday, Oct 20 (artist talk) at the Scarab Club for 'Incomplete' a group show.

I just hung new work in a show called 'Incomplete' curated by Sajeev Visweswaran, which is about the way that Covid Times have interrupted and effected our lives and art making. The gallery is in a beautiful Detroit building called the Scarab Club. The work I am sharing in this show, nine individual pieces, are unusual in that they are complete, and yet many of them are very spare, spacious and normally would not be the works I would select for exhibition. Here is my statement for the work in the show:

The works I've selected here are complete, though relative to much of my finished work, are quite spare. This selection of works mirrors a practice I began in 2020 of letting there be more space between events, in dialogue, in the day and in my world in general. This includes when a project is partially done, when an artwork feels complete in its spareness, and in the experience of a shared silence as nourishing.
The work called 'Ways of Knowing', is part of a series made from my grandmother Betty's papers, after she died of dementia over a decade ago. It captures a lot of the post pandemic world: how we don't always get to choose or to maintain even an illusion of control. 

My work generally spans many types of media and forms, and alludes to a sparkly underlayer to things as they are already. Sometimes its interactive, conceptual, and public, and sometimes its quieter abstraction, or some manner of scape. 

Hannah Burr October 2021