CHAOS AND ORGANIZATION
Do you ever notice how you need to make a mess to really get organized? I'm finding that to be more and more true in my art studio. I like to share about messes, and it's a requirement that I be able to be messy in my creative space. I have to be able to pull everything out and try a bazillion different things, and it has to be left half done so that I can come back and respond the next day. This makes my studio kind of an uncomfortable place for my engineer husband who much prefers the data cell and the number, and why he thinks twice before casually opening the door to my space to seek out the ladder say.
I'm grateful to have someone like him who is really good at sweeping the kitchen floor, because it sure isn't me! I do wipe the counters down though and lots of other stuff.
One thing that makes a big difference to my studio practice these days is clarifying a process for myself, and then committing to and sticking with that process. For example, How to do a photo shoot, how to make a painting support, or how to do my business numbers every month. The point of clarifying a process this way is so that I don't have to remember how I did it the last time, instead I can just look it up. I've found that making these How To lists are really deeply important for my practice. Each of these things is a valuable trove of process. These are the assets of my business and studio practice, they are how I get things done.
To give you an example, the project Stand In I'm in the middle of, has many moving parts. It involves trips to junk shops, a particular list of what I'm looking for, building structural supports, writing and editing poems, trying to apply a poem to objects and finding it doesn't work and doing this enough until I find a process that does work, and then it involves once I make a sculpture and pair it with a poem in a way that works, how the heck do I document it, create the legend and store it? Then I need to take it apart, photograph each piece, digitally edit the series, create the label, and make sure that I have a photograph that's both high quality and high resolution and also lets me remember how to assemble it. And then there's oh my God writing instructions for other people to know how to assemble them.
This takes a lot of time and love. If I didn't feel compelled to do it, it wouldn't happen. Recently art friend Deb Todd Wheeler was asked what advice she'd give to an artist starting out, and her response was: only do it if you have to, only do it because you couldn't not do it. I think I feel that way about this process. Because it is messy and chaotic and both fun and overwhelming at times: I trip over things, I break things, I forget the revelation I just had if I didn't write it down. The more time I can spend tidying and putting into boxes and labeling and coming up with an archive system, the more I am expressing love for and the value in what I'm doing.
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THIS IS HOME
May 27 - June 26
Gallery B in Castine, ME
A four woman exhibition opening Feb 3 2023 at the Ann Arbor Art Center.
Curated by Thea Eck.
Janice Charach Gallery
West Bloomfield MI
Jan 15-Mar 1 2023
Works of pure abstraction by 18 artists including five new puffies!
END PAPERS COURSE
Make your own hand sewn book from the papers left by a loved one.
FREE SESSION WITH HANNAH!
If you feel overwhelmed, confused or just plain excited by what's afoot in your life, and would like some excellent clarifying space and tools, try a session with Hannah! She's been a coach for 15 years. First 30 minutes is just to see what it's like...
Hannah Burr is a contemporary artist and author. Originally from Boston, she lives in Ann Arbor MI.