COMMUNITY + VULNERABILITY

It's interesting to have my studio now in a residential neighborhood. For most of my making years, I have had a studio in a fringe place, on the edge of some urban industrial area with shady dealings and lots of concrete expanse. Once I had a studio in a tiny second bedroom of my own rented place in Gloucester MA, and for a year I rented a friend's back bedroom in JP. Now I am nestled in a type of smaller pole barn structure that resembles from the front a one car garage, behind a modest home, in a circle of nine modest cape houses on a cul-de-sac. It's quiet, there is green space just outside the window - the wilds of my neighbor's yard, and the looming trees of a small wooded lot we can walk in.

Our little cul-de-sac which in french means draw string bag, brings people together, like a draw string pulls the bag closed and closer to itself. Especially as in the last two years, we were grounded, a little cabin fevered, and often gathered out front to socialize, instead of going out places because of covid.

My neighbors John and Kayla, on our blended front lawn one day just after we'd moved in (spring 2020), asked about my work. I shared about the books. As Kayla asked for more detail, her face lit up and  realized that my book was on her bedside table - a gift from her mother-in-law who found it in a local shop. Kayla now has all of my books now in a prominent spot on her living room shelf - a deep honor and a tiny thrill.

Kayla is a pediatrician, we had just become neighbors, and from that moment, it felt like, for both of us, a slightly magical neighbor match. Since then she has had her first child, whom my husband and I have taken out for strolls, changed diapers and put to bed, her father has come and helped install the wood stove here in the studio as we built it, and Kayla and her mom have become a big fan of my calendars.

Recently while I was doing some gardening and her mom was visiting, her mom asked shyly if she might see the studio, so the three of them came over, Auggie in the stroller, Kayla and her mom, and took a peek.

Its a big, active mess in here, but it was really amazing to hear them debate which month in my calendar was their favorite, to hear Kayla describe the kind of completely abstract painting she's drawn to and might buy from me when they move to their new home in New Orleans a few months later, and to experience what it feels like to have neighbors this close.

In fact, my stepfather just came to visit us from Boston and spent his last night watching the college basketball final game with John, til midnight in the house next door, because we don't have a TV. There are many other neighbor stories I can tell, but my point here is, art making is also relationships, vulnerability and being seen. I am having whole new experiences as a first time home and studio owner, being in a midwestern town, and prioritizing community above many other things I might have before.

-

Two Reminders!:

1. My solo show at Barickuda Gallery closes this Saturday, October 22 with a Q & A and talk. The gallery is open from 4:30 - 6 pm, and I'll start talking at 5 pm. We'd love to see you.  More details here.  If you'd like to see the show but you're far away, I'll do a livestream on Saturday on instagram which you can watch by simply going to my insta feed (instagram.com/hannahburrstudio) on Saturday during those hours.  Or, leave a comment here and I can send you a PDF of the work in the show once its down. 

2. There are still a few calendars left but they're going fast! I've been selling them at local pop ups and on my shop, where shipping this year is included. I will bring some to the closing event where you can also get them this Saturday. Here's where to buy them online.