These drawings are new as of spring 2021, although I have been sketching these out for about six years. I brought the materials to begin them from Boston when I moved in 2017, when I was thinking about innovative displays, and then there was so much moving around and upheaval that it didn't come back up to work with until I was back in a permanent studio and able to relax a little. The peg drawings are occurring in tandem with the Puffies, and with the Stand In project, another sculptural variation. I was really delighted when I first discovered that the paintings and these sculptural wall pieces worked so delightfully in tandem. In other words they really talk to each other! The peg drawing series is one kind of work that feature things with holes in them, a theme in my creative process that I recently wrote about. These Peg pieces consist of a wooden peg or pegs affixed securely to the wall, and then reinforced two dimensional-ish forms that hang from them, including materials such as card stock, book board, cardboard, painted, dipped in plaster and paint, found and sometimes folded. Some of these objects are single, beautiful fragments that I have loved and held on to for years, a patterned discarded paper scrap then dipped in a thick paint, or paper that's been dyed, dipped, scored. These are arranged in a specific compositions, and simply hang in small divots on the horizontal peg in a given order. When you purchase a peg drawing you get instructions on how and where to best install the work, the hardware and the peg. The work can be presented as this simple ephemera, or you can have the work framed in a deeper box if you have a very windy or high traffic kind of spot in mind for the piece. Making this kind of work is all about textures, color therapy in its own right, problem solving, constant pairing, stepping back to asses, and composition. My favorite part in problem solving was finding as many things with holes in them, and as many ways to make a hole, as I could, trying out all the processes, then refining and refining until I was clear on what I was delighted with, interested in, and what made a piece shine. So far I have exhibited the pegs as part of the 'Incomplete' exhibition at the Scarab Club in Detroit MI, and again at the 'Art for Right Now' exhibition at B Gallery in Castine ME. An exhibition at TrustArt will also include several peg drawings later in 2022. I'll keep you posted! Here's are some more examples. I welcome any questions, thoughts or comments and respond as soon as I see them. It adds whole new dimension to my work to share it and to hear how it bounces off others!
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AuthorHannah Burr is a contemporary artist and author. Originally from Boston, she lives in Ann Arbor MI. Archives
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